Antique Purses: LEFT - Whiting and Davis, c. 1920's, brass mesh, strap, and frame with gem stone, RIGHT - unknown, brass mesh, strap, and frame
My first thought upon discovering these mesh wrist bags was that they make such a lovely pair. I knew exactly what to do with them as they are of the few that could withstand being hung on the wall, and what a compliment to each other they are! Both are small mesh purses worn on the wrist, they are topped with organic motifs on their decorative frames, have flat chain link straps with sliders, fine mesh bodies, and are finished with three ball weights each. It wasn't until opening them that I began to look at these bags in a different light... A lovely pair or a lovely knock-off? You decide!
The bag on the left has several inscriptions on the interior of the frame, whereas the bag on the right has none. Regarding the left-hand bag, "Annette Brodic" was apparently the owner as her name is hand engraved by the clasp. Stamped by one hinge is the maker's name: "WHITING & DAVIS CO.", a popular purse manufacturer in the early 1900's, however because the name is stamped not engraved, it can be assumed that the bag was made in 1920 or later. Stamped by the other hinge is "SOLDERED MESH", which yes, ladies and gentleman, means that each link is soldered! Although there is one bit of information that will sooth your whirling minds; all of their mesh was made by machine after 1912.
There are also some other markings I have yet to determine: "1/21" is hand scribed by each of the hinges, which could be the production date. "#4" is hand scribed by one hinge and "#5" is by the other; this could possibly be the mesh size (ranged from #1 through #7), but that doesn't explain why there are two numbers. There is also a stamped "A", which is sideways and above the "WHITING & DAVIS CO." stamp. Could this be a way to decipher parts or a grading system? Perhaps you know?
Finally, notice the gem stone on the clasp of the bag on the left (Whiting & Davis was known for their use of genuine sapphires), the decorative designs on the strap sliders of the left-hand bag, the unsoldered coil and links on the right-hand bag (there are a few missing), and the difference in link sizes between the mesh on the two wrist bags. There are many details to compare and contrast, and frankly, I beginning to wonder what they carried in these things! Nevertheless, what I am certain of is these are two very special bags and if the one on the right is indeed a period "knockoff," than let copying be the highest form of 1920's flattery! I think I know just the wall to become home to these two bags.
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